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"Sequenza I" by Luciano Berio : a performer’s guide

Submitted by lsantacesaria on Sun, 13/01/2019 - 21:53
in
Velasco, Daniel
"Sequenza I" by Luciano Berio : a performer’s guide
University: 
University of Miami, 2016
Publisher: 
Coral Gables Florida
Year: 
2016
Language: 
English
Related work or works: 
Sequenza I

Analysis of Luciano Berio’s Sequentza VI for Viola (1967)

Submitted by lsantacesaria on Wed, 20/04/2016 - 20:20
in
Tsilimparis, Spyridon
Analysis of Luciano Berio’s Sequentza VI for Viola (1967)
University: 
University of Surrey, London
Year: 
2016
Language: 
English
Notes: 

Ph.D. dissertation; supervisor: Dr. Thomas Armstrong.

Related work or works: 
Sequenza VI

Transformational Process, Harmonic Fields, and Pitch Hierarchy in Luciano Berio’s ‘Sequenza I’ through ‘Sequenza X’

Submitted by lsantacesaria on Sat, 14/11/2015 - 15:05
in
Schaub, Gale
Transformational Process, Harmonic Fields, and Pitch Hierarchy in Luciano Berio’s ‘Sequenza I’ through ‘Sequenza X’
University: 
University of Southern California
Year: 
1989
Language: 
English
Related work or works: 
Sequenza I
Sequenza X

Shadows on the Wall. Memory and Premonition in Berioʼs Cronaca del Luogo

Submitted by lsantacesaria on Fri, 13/11/2015 - 16:59
in
Oʼ Sullivan, Alexander
Shadows on the Wall. Memory and Premonition in Berioʼs Cronaca del Luogo
University: 
Australian National University, School of Music
Year: 
2011
Language: 
English
Related work or works: 
Cronaca del Luogo

A Study and Performance Guide to Luciano Berio’s Six Encores pour Piano

Submitted by lsantacesaria on Sat, 07/03/2015 - 11:38
in
Jinyoung, Kim
A Study and Performance Guide to Luciano Berio’s Six Encores pour Piano
University: 
Ohio State University 2014, D.M.A. Document
Language: 
English
Notes: 

Master Degree with attached CD

Related work or works: 
Six Encores

"Un Re in Ascolto" tra Berio e Calvino. Dimensioni musicologhe, letterarie, educative

Submitted by lsantacesaria on Tue, 14/01/2014 - 15:23
in
Pangrazi, Tiziana
"Un Re in Ascolto" tra Berio e Calvino. Dimensioni musicologhe, letterarie, educative
University: 
La Sapienza
City: 
Roma
Year: 
2001
Language: 
Italian
Notes: 

Supervisors: Nicola Siciliani De Cumis, Pierluigi Petrobelli.

Related work or works: 
Un re in ascolto

Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano Berio, John Cage, and Brian Ferneyhough)

Submitted by lsantacesaria on Mon, 12/03/2012 - 18:47
in
Weisser, Benedict J.
Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano Berio, John Cage, and Brian Ferneyhough)
University: 
The City University of New York
Year: 
1998

A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach

Submitted by lsantacesaria on Mon, 12/03/2012 - 18:46
in
Gonzales-Lizausaba, Oswaldo
A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach
University: 
Ecole des Hautes Etudes en Sciences Sociales, IRCAM, CNRS (Paris)
Year: 
1997
Related work or works: 
Erdenklavier

Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s Sinfonia

Submitted by lsantacesaria on Mon, 12/03/2012 - 18:45
in
Flinn, John W.
Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s Sinfonia
University: 
University of Cincinnati
Year: 
2011
Language: 
English
Related work or works: 
Sinfonia

"Ritirata notturna di Madrid" di Luciano Berio: fonti e processo compositivo

Submitted by lsantacesaria on Wed, 18/01/2012 - 00:45
in
Schiavo, Alberto
"Ritirata notturna di Madrid" di Luciano Berio: fonti e processo compositivo
University: 
Università degli Studi di Padova
Year: 
2010
Related work or works: 
Quattro versioni originali della Ritirata Notturna di Madrid di L. Boccherini