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Dissertation

"Sequenza I" by Luciano Berio : a performer’s guide

Velasco, Daniel
"Sequenza I" by Luciano Berio : a performer’s guide
University: 
University of Miami, 2016
Publisher: 
Coral Gables Florida
Year: 
2016
Language: 
English
Related work or works: 

Analysis of Luciano Berio’s Sequentza VI for Viola (1967)

Tsilimparis, Spyridon
Analysis of Luciano Berio’s Sequentza VI for Viola (1967)
University: 
University of Surrey, London
Year: 
2016
Language: 
English
Notes: 

Ph.D. dissertation; supervisor: Dr. Thomas Armstrong.

Related work or works: 

Transformational Process, Harmonic Fields, and Pitch Hierarchy in Luciano Berio’s ‘Sequenza I’ through ‘Sequenza X’

Schaub, Gale
Transformational Process, Harmonic Fields, and Pitch Hierarchy in Luciano Berio’s ‘Sequenza I’ through ‘Sequenza X’
University: 
University of Southern California
Year: 
1989
Language: 
English
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Shadows on the Wall. Memory and Premonition in Berioʼs Cronaca del Luogo

Oʼ Sullivan, Alexander
Shadows on the Wall. Memory and Premonition in Berioʼs Cronaca del Luogo
University: 
Australian National University, School of Music
Year: 
2011
Language: 
English
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A Study and Performance Guide to Luciano Berio’s Six Encores pour Piano

Jinyoung, Kim
A Study and Performance Guide to Luciano Berio’s Six Encores pour Piano
University: 
Ohio State University 2014, D.M.A. Document
Language: 
English
Notes: 

Master Degree with attached CD

Related work or works: 

"Un Re in Ascolto" tra Berio e Calvino. Dimensioni musicologhe, letterarie, educative

Pangrazi, Tiziana
"Un Re in Ascolto" tra Berio e Calvino. Dimensioni musicologhe, letterarie, educative
University: 
La Sapienza
City: 
Roma
Year: 
2001
Language: 
Italian
Notes: 

Supervisors: Nicola Siciliani De Cumis, Pierluigi Petrobelli.

Related work or works: 

Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano Berio, John Cage, and Brian Ferneyhough)

Weisser, Benedict J.
Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano Berio, John Cage, and Brian Ferneyhough)
University: 
The City University of New York
Year: 
1998

A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach

Gonzales-Lizausaba, Oswaldo
A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach
University: 
Ecole des Hautes Etudes en Sciences Sociales, IRCAM, CNRS (Paris)
Year: 
1997
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Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s Sinfonia

Flinn, John W.
Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s Sinfonia
University: 
University of Cincinnati
Year: 
2011
Language: 
English
Related work or works: 

"Ritirata notturna di Madrid" di Luciano Berio: fonti e processo compositivo

Schiavo, Alberto
"Ritirata notturna di Madrid" di Luciano Berio: fonti e processo compositivo
University: 
Università degli Studi di Padova
Year: 
2010