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A few weeks ago the elegant box featuring the nine Chemins by Luciano Berio was released by Sebastian Solte's label Bastille Musique. Composed between 1965 and 1996 as a sort of "citation, translation, expansion and transcription of the Sequenzas for solo instrument" – to paraphrase the words of the composer – these Chemins are also the best analyzes of the Sequenzas.
The double CD, accompanied by the program notes and a beautiful iconographic set, includes the live recording of the six concerts featuring the WDR Symphony Orchestra which were held between 2016 and 2017 in Cologne, in the frame of the cycle "Musik der Zeit": seven conductors and seven soloists participated in this ambitious project, which includes the world premiere recording of Chemins IIc.
For the disc review, read here.

The record label BIS published the SACD featuring the recording of Luciano Berio's Coro for forty voices and instruments – composed between 1974 and 1976 on popular songs and texts by the Chilean poet Pablo Neruda – and Cries of London for eight voices (1976), based on a free choice of phrases from the street vendors of ancient London. Under the baton of Grete Pedersen, the Norwegian Solists's Choir and the Norwegian Radio Orchestra deal here with one of the greatest choral works of the past 50 years.
For more information click here.

The concerts with music by Luciano Berio continue until summer 2020. Here follows a list of the most relevant events (for the complete list, see the Concert Calendar).
Folk Songs is scheduled in Innsbruck, with mezzo-soprano Elisabeth de Roo and the Windkraft ensemble conducted by Kasper de Roo (March 18), in Birmingham, featuring Charlotte Sleet and the ensemble of the Royal Birmingham Conservatoire under the baton of Daniele Rosina (March 27), and in Aalborg, with Ninna Bugge Rasmussen and the Aalborg Symphoniorkester conducted by Eirik Haukås Ødegård (June 10).
Coro is performed at the Opéra de Lausanne by the Choir and Orchestra of the students of Hautes école de musique latines, under the baton of Emilio Pomàrico (April 2nd).
Rendering is scheduled in severa concerts: in Milan, featuring the Münchner Symphoniker conducted by Kevin John Edusei (April 8) and in Budapest, in the frame of the Budapest Spring Festival, with Zsolt Hamar conducting the Hungarian National Philharmonic Orchestra (April 17).
Différences is performed by the Ensemble Phoenix Basel and Christof Stürchler (sound director) conducted by Jürg Henneberger in two concerts at the Gare du Nord, Basel (April 18 and 19).

The Centro Studi Luciano Berio is pleased to announce that on October 24, 2019, on the occasion of the 94th anniversary of the composer's birth, a street in Florence was named in his honor. Via Luciano Berio joins other streets and public spaces dedicated to Berio in the years following his death in 2003: in Rome, Genoa, Milan, Radicondoli (SI), Imperia and Jávea (Alicante). Emblematic close to the Teatro del Maggio Musicale Fiorentino, Via Luciano Berio is part of Via del Fosso Macinante and located at the intersection of Viale Fratelli Rosselli and Piazza Vittorio Veneto. The inauguration ceremony took place at 10:30 am with the representatives of the Municipality of Florence, the Maggio Musicale Fiorentino, Tempo Reale, Orchestra della Toscana, the Berio family and the Centro Studi Luciano Berio.
During the ceremony, Andrea dell’Ira and Claudio Quintavalla – first trumpets of the Orchestra del Maggio – performed two works by Berio: Fanfaretta per Tartuca for two trumpets and Gute Nacht for solo trumpet.
The dedication was decided by the council of Palazzo Vecchio to underline the close bond betwen the composer and the city of Florence: Berio was, in fact, the artistic director of the Orchestra della Toscana (1982-84), artistic director of the 47th edition of Maggio Musicale Fiorentino (1984) as well as the founder and artistic director of Tempo Reale, centre for musical research, production and didactics (1987-2000).

The Chinese composer Yikeshan Abudushalamu won the first and successful edition of the Luciano Berio International Composition Competition.
The competition was promoted by the Accademia Nazionale di Santa Cecilia and the Centro Studi Luciano Berio, in collaboration with the SIAE – Italian Society of Authors and Publishers, the Filarmonica della Scala, the Maggio Musicale Fiorentino Foundation, the RAI National Symphony Orchestra and the Boris Christoff Foundation.

128 applications were submitted: 89 from Europe, 14 from the Americas, 22 from Asia, 2 from Australia and 1 from Africa; 37 are the nations represented. The composers have an age ranging from 13 to 40 years (maximum age for the admission).
The eliminatory phase, which ended on 30 September 2019, led to the identification of the finalist composers. The final phase was held in Rome on 13 and 14 October 2019. The prestigious jury, chaired by Antonio Pappano, was composed of Ivan Fedele (Italy), Unsuk Chin (South Korea), Tristan Murail (France) and Augusta Read Thomas (USA).