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NEWS

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Following the publication of Luciano Berio’s writings in 2013, a selection of his major interviews is now issued for the first time by Einaudi, Torino. The new volume Luciano Berio. Interviste e colloqui, edited by Vincenzina C. Ottomano with an introduction by Paul Griffiths, features over fifty conversations, interviews and inquiries held with Berio over a period ranging from the early 1960’s up till a few months prior to his death in 2003. The texts, accompanied by editorial notes and comments, offer a multiple perspective on the composer’s life and work in an idiom that is at once approachable by a large spectrum of readers and surprisingly new for those who are familiar with his theoretical writings. The constant interaction of questions and answers encourages a spontaneous and immediate mode of communicating thoughts and issues that are central to Berio’s world view and poetics, such as music theatre, language, oral tradition and music history, electronic and computer-assisted composition, musical education. The portrait of a composer emerges who is deeply (and often critically) involved in the contemporary scene, convinced of the role of music and of the musician in the formation of a better society.

For the index click here:
For the volume tab click here:

The concerts featuring Luciano Berio’s music continue during the year 2017. Here follows a selection of the most outstanding events (for a complete list, see the Concert calendar).

Coro is on tour between March and May under the direction of Teodor Currentzis, featuring the Mahler Chamber Orchestra and the MusicAeterna choir, with performances scheduled in Ferrara (March 30), Munich (April 1st), Cologne (April 2), Hamburg (May 29) and Saint-Denis (May 30).
On May 18 in Bologna is scheduled a round table entitled "C‚Äô√® musica & musica di Luciano Berio (1972): attualit√† di una serie televisiva tra divulgazione e sperimentazione‚ÄĚ, conducted by Angela Ida De Benedictis.
Beatles Songs and Chemins II are scheduled at the Auditorium Parco della Musica, Rom, performed by the Ensemble Modern, featuring Anna Clementi and Megumi Kasakawa, conducted by Tito Ceccherini (May 22). Rendering is scheduled in several concerts in Görlitz, with Andrea Sanguineti conducting the Neue Lausitzer Philharmonie in a performance, which features also choreographies by Dan Pelleg and Marko E. Weight (June 24 and July 7, 8, 9).

The concerts featuring Luciano Berio’s music continue during the year 2017. Here follows a selection of the most outstanding events (for a complete list, see the Concert calendar).

Sinfonia was scheduled in Heidelberg, featuring the Deutsche Staatsphilharmonie Rheinland-Pfalz and the Schola Heidelberg choir conducted by Karl-Heinz Steffens (September 29), and in Paris, with the Orchestre and Coeur de Paris conducted by Daniel Harding (November 1st and 2nd; for the video of the performance in Paris, click here).
In London, on November 4, the London Sinfonietta devotes to Berio a monographic concert with performances, among others, of Folk Songs, Naturale, Duetti per due violini (selection), Sequenza I, Sequenza II, Autre fois, Lied, Air, O King.
Performances of Folk Songs are scheduled in Basel (November 19) and Laufen (November 24) featuring the mezzo-soprano Kristina Stank and the Sinfonieorchester Basel conducted by Stephen Delaney.
On December 6 and 7 at the Italian Academy of the Columbia University, New York, are scheduled two days of events related to Luciano Berio's "revisitation" of Monteverdi's "L'incoronazione di Poppea". For the complete program, click here.

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Handwritten answers by Luciano Berio to the ¬ęProust Questionnaire¬Ľ, 1990 (by courtesy of Paul Sacher Stiftung and Berio heirs). See Luciano Berio. Interviste e colloqui, pp. 459-464.

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Luciano Berio's outline for Coro (Paul Sacher Stiftung, Collection Luciano Berio)

October 24 marked the 91st anniversary of Luciano Berio’s birth. This year the date coincided with another important anniversary: the world première of Coro, one of the cornerstones of Berio’s oeuvre, which was performed for the first time forty years ago, on the 24th of October 1976 in Donaueschingen with the composer himself conducting the WDR Rundfunkchor and Rundfunkorchester Köln (for more information on the work click here).
We wish to celebrate this double "birthday" with a selection of documents that confirm the importance of Coro for Berio‚Äôs poetics: ¬ęThe work deals with the problem perhaps more deeply rooted in me: put together, give an order to seemingly disparate things¬Ľ, highlighting the idea of Coro as an encounter of different cultures and periods, as a dialogue between different techniques and styles that merge without ever losing their individuality.
The homage includes the full audio track of Coro as well as excerpts from Luciano Berio’s writings and interviews; manuscript pages; and a letter from the composer to his future wife and dedicatee of the composition - Talia Pecker Berio - written during the rehearsals of the première.

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The concerts featuring Luciano Berio’s music continue during the end of 2016. Here follows a selection of the most outstanding events (for a complete list, see the Concert calendar).

Récit (Chemins VII) is scheduled in Cologne (October 28) and Essen (October 30) featuring the WDR Sinfonieorchester Köln and saxophonist Lutz Koppetsch conducted by Brad Lubman. Another concert with the WDR Sinfonieorchester Köln, with Christophe Desjardins and conducted by Emilio Pomàrico, is the performance of Chemins II in Cologne (November 5). The Neue Vocalsolisten Stuttgart will perform A-Ronne at the Essen Philharmonie (November 5). Naturale is scheduled in Kalgenfurt with violist Ernst Theuerkauf and percussionist Gerhard Gruber (November 19), and in Budapest, with Tabea Zimmermann and Aurél Holló (November 20). In Buenos Aires, the Teatro San Martín ensemble of contemporary music, featuring Coro Diapasón Sur and the speaker Rafael Spregelburd, conducted by Santiago Santero, will perform Laborintus II; the same evening, Pablo Fenoglio will perform Sequenza V for trumpet (November 20). In Paris, the Orchestre du Conservatoire National Supérieur de Paris with pianist Théo Fouchennere, conducted by Jean-Philippe Wurtz, will perform points on the curves to find for piano and 22 instruments (November 30).

We are pleased to announce the release of the volume Le th√©√Ętre musical de Luciano Berio for the publishing house L'Harmattan, Paris. The two-volumes publication includes the proceedings of the project ¬ęLuciano Berio‚Äôs musical theatre¬Ľ, which took place between 2010 and 2013 in Paris and Venice on the initiative of D.M.C.E. (Dramaturgie Musicale Contemporaine en Europe), University of Paris VIII in collaboration with Centro Studi Luciano Berio and Fondazione Giorgio Cini, Venice.
The two volumes, edited by Giordano Ferrari, explore and analyse chronologically Luciano Berio’s six major works of musical theatre (in the first volume, Passaggio, Opera and La Vera Storia; in the second one, Un re in ascolto, Outis and Cronaca del Luogo). Each section, dedicated to a single work, is featured by a documentary text that offers a general overview of the sources, the structure, the history of the performance and the state of research on the composition; and it’s followed by essays that explore in-depth Berio’s theatrical world on different perspectives: musical analysis, dramaturgy and scenic space, the relationship with the tradition, and Berio’s collaboration both with the authors of the texts and with all other persons involved in the productions.

For the index of the vol. I ¬ęDe Passaggio √† La Vera Storia¬Ľ click here.
For the index of the vol. I ¬ęDe Un re in ascolto √† Cronaca del Luogo¬Ľ click here.
To order the volumes click here.