Sequenza I
Sequenza I
Year of composition:
1958
Year composition ended:
1958
Scored for:
flute
Dedication:
Written for Severino Gazzelloni
Duration:
6'
First performance:
1958, Darmstadt. Severino Gazzelloni
Publisher:
Edizioni Suvini Zerboni – n.e. Universal Edition
Edition number:
19957
Discography
- Luciano Berio / Chamber music
- Luciano Berio / The complete sequenzas ; The complete alternate sequenzas and works for solo instruments; with verses by Edoardo Sanguineti
- Luciano Berio / Circles : für eine Frauenstimme, Harfe und zwei Schlagzeuger ; Sequenza I : für Flöte solo ; Sequenza III : für Stimme solo ; Sequenza V : für Posaune solo
- Luciano Berio / Circles ; Sequenza I für Flöte ; Sequenza III für Stimme ; Sequenza V für Posaune
- Musiche del Novecento italiano : a cura della Società Italiana di Musicologia
- From A to Z
- Look both ways
- Sequenzas : first complete recording
- Luciano Berio / The complete sequenzas ; The complete alternate sequenzas and works for solo instruments; with verses by Edoardo Sanguineti
- Luciano Berio / Circles : für eine Frauenstimme, Harfe und zwei Schlagzeuger ; Sequenza I : für Flöte solo ; Sequenza III : für Stimme solo ; Sequenza V : für Posaune solo
- Luciano Berio / Circles ; Sequenza I für Flöte ; Sequenza III für Stimme ; Sequenza V für Posaune
- Musiche del Novecento italiano : a cura della Società Italiana di Musicologia
- From A to Z
- Look both ways
- Sequenzas : first complete recording
Bibliography
- Versucht über Berio: eine Analyse der «Sequenza» per flauto solo
- La Sequenza I de Berio dans les poétiques musicales des années 50
- L'Expérimental comme gage de la modernité: la Sequenza I de Luciano Berio
- Rhythm and timing in the two versions of Berio’s "Sequenza I" for flute solo : psychological and musical differences in performance
- Vestiges of twelve-tone practice as compositional process in Berio’s "Sequenza I" for solo flute : Berio’s reworking of the "Sequenzas"
- Experiment and discourse: Luciano Berio’s “Sequenze”
- «I have never tried to alter the nature of the instrument...». Luciano Berio's concept of musical instrument in the Sequenzas
- La Sequenza per flauto di Berio: fra Satz e Stream Of Consciousness
- Les XIV Sequenze de Luciano Berio
- Transformational Process, Harmonic Fields, and Pitch Hierarchy in Luciano Berio’s ‘Sequenza I’ through ‘Sequenza X’
- "Sequenza I" by Luciano Berio : a performer’s guide
- Auktoriale versus freie Aufführungstradition: Zur Interpretationsgeschichte bei Nono und Berio (... und Stockhausen ist auch dabei)
- La Sequenza I de Berio dans les poétiques musicales des années 50
- L'Expérimental comme gage de la modernité: la Sequenza I de Luciano Berio
- Rhythm and timing in the two versions of Berio’s "Sequenza I" for flute solo : psychological and musical differences in performance
- Vestiges of twelve-tone practice as compositional process in Berio’s "Sequenza I" for solo flute : Berio’s reworking of the "Sequenzas"
- Experiment and discourse: Luciano Berio’s “Sequenze”
- «I have never tried to alter the nature of the instrument...». Luciano Berio's concept of musical instrument in the Sequenzas
- La Sequenza per flauto di Berio: fra Satz e Stream Of Consciousness
- Les XIV Sequenze de Luciano Berio
- Transformational Process, Harmonic Fields, and Pitch Hierarchy in Luciano Berio’s ‘Sequenza I’ through ‘Sequenza X’
- "Sequenza I" by Luciano Berio : a performer’s guide
- Auktoriale versus freie Aufführungstradition: Zur Interpretationsgeschichte bei Nono und Berio (... und Stockhausen ist auch dabei)