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Books and miscellaneous

A polyphonic type of listening in and out of focus : Berio’s "Sequenza XI" for guitar

Porcaro, Mark D.
A polyphonic type of listening in and out of focus : Berio’s "Sequenza XI" for guitar
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 255-274
Related work or works: 

Luciano Berio, Komponist : »In my end is my music« : Texte & Materialien

Musiktriennale Köln 2007
Luciano Berio, Komponist : »In my end is my music« : Texte & Materialien
Publisher: 
Pfau
City: 
Saarbrücken
Year: 
2007

The compass of communications in "Sequenza VIII" for violin

Montague, Eugene
The compass of communications in "Sequenza VIII" for violin
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 137-152
Related work or works: 

Shadow boxing : "Sequenza X" for trumpet and piano resonance

Impett, Jonathan
Shadow boxing : "Sequenza X" for trumpet and piano resonance
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 83-96
Related work or works: 

Provoking acts : the theatre of Berio’s "Sequenzas"

Halfyard, Janet K.
Provoking acts : the theatre of Berio’s "Sequenzas"
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 99-116

Berio’s "Sequenzas" : essays on performance, composition and analysis

Halfyard, Janet K.
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007

Sonic complexity and harmonic syntax in "Sequenza IV" for piano

Guigue, Didier – Marcílio Fagner Onofre
Sonic complexity and harmonic syntax in "Sequenza IV" for piano
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Related work or works: 

... and so a chord consoles us : Berio’s "Sequenza XIII (chanson)"

Gartmann, Thomas
... and so a chord consoles us : Berio’s "Sequenza XIII (chanson)"
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 275-290
Related work or works: 

Rhythm and timing in the two versions of Berio’s "Sequenza I" for flute solo : psychological and musical differences in performance

Folio, Cynthia – Alexander R. Brinkman
Rhythm and timing in the two versions of Berio’s "Sequenza I" for flute solo : psychological and musical differences in performance
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 11-37
Related work or works: 

Phantom rhythms, hidden harmonies : the use of the "sostenuto" pedal in Berio’s "Sequenza IV" for piano, "Leaf" and "Sonata"

Doll, Zoe Browder
Phantom rhythms, hidden harmonies : the use of the "sostenuto" pedal in Berio’s "Sequenza IV" for piano, "Leaf" and "Sonata"
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 53-66
Related work or works: