Priore, Irna
Vestiges of twelve-tone practice as compositional process in Berio’s “Sequenza I” for solo flute : Berio’s reworking of the “Sequenzas”
RIVISTA/VOLUME:
Berio’s "Sequenzas" : essays on performance, composition and analysis
EDITORE:
Ashgate
LUOGO:
Aldershot
ANNO:
2007
PAGINE:
pp.191-208
OPERE CORRELATE: