Priore, Irna
Vestiges of twelve-tone practice as compositional process in Berio’s “Sequenza I” for solo flute : Berio’s reworking of the “Sequenzas”
JOURNAL/MISC. VOLUME:
Berio’s "Sequenzas" : essays on performance, composition and analysis
PUBLISHER:
Ashgate
PLACE:
Aldershot
YEAR:
2007
PAGES:
pp.191-208
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