Sequenza III
ANNO DI COMPOSIZIONE:
1965
TESTO:
Markus Kutter
LINGUA:
English
ORGANICO:
female voice
DEDICA:
Written for Cathy Berberian
DURATA:
8'
PRIMA ESECUZIONE:
1966, Bremen. Cathy Berberian
EDITORE:
Universal Edition
NUMERO DI EDIZIONE:
13723
NOTE D'AUTORE:
DISCOGRAFIA
- Berio – Différences, Sequenza III & IV, Due Pezzi, Chamber Music
- Berio To Sing
- Luciano Berio / Circles ; Sequenza I für Flöte ; Sequenza III für Stimme ; Sequenza V für Posaune
- Luciano Berio / Circles : für eine Frauenstimme, Harfe und zwei Schlagzeuger ; Sequenza I : für Flöte solo ; Sequenza III : für Stimme solo ; Sequenza V : für Posaune solo
- Luciano Berio / Epifanie : per voce sola ; Sequenza III ; Folk songs. Henri Pousseur / Phonèmes pour Cathy. John Cage / A flower ; The wonderful widow of eighteen springs
- Luciano Berio / Sequenza VI ; Chemins II ; Chemins III ; Epifanie : rev. Version (1965) ; Folk songs
- Luciano Berio / The complete sequenzas ; The complete alternate sequenzas and works for solo instruments; with verses by Edoardo Sanguineti
- Luciano Berio / The great works for voice
- Salomix-Max : Salome Kammer : voice without limits
- Sequenzas : first complete recording
- Songs Cathy sang : music composed for the voice of Cathy Berberian
BIBLIOGRAFIA
- “A few words to sing”
- «I have never tried to alter the nature of the instrument…». Luciano Berio’s concept of musical instrument in the Sequenzas
- Analyse und Interpretation. Luciano Berio: Sequenza III
- Berio’s Sequenza III: a portrait
- Epifaniler ve Açıklıklar. Proust, Joyce ve Brecht’ten Berio-Eco Poetikasına
- Experiment and discourse: Luciano Berio’s “Sequenze”
- La voix arcaique, Luciano Berio “Sequenza III”
- Les voies de la voix
- Les XIV Sequenze de Luciano Berio
- Luciano Berio-“Sequenza III” (1965)
- Luciano Berio’s “Sequenza III” : the use of vocal gesture and the genre of the mad scene
- Luciano Berio’s Sequenza III: From Electronic Modulation to Extended Vocal Technique
- Sequenza III
- The Women’s Song: L. Berio’s Sequenza III
- Voices within the voice: geno-text and pheno-text in Berio’s “Sequenza III”