Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s Sinfonia
Succession et simultanéité dans la conception de l’oeuvre musicale: les deux versions de “O King” de Luciano Berio
Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano Berio, John Cage, and Brian Ferneyhough)
