Opera
Choir: Vocal ensemble 2 2 2 2 / Children
Instrumentation: 2 2 3 2 – 3 3 3 1 – perc(5), pno(2), e.org, alto sax, t.sax, e.guit, vln(12), vla(10), vc(10), cb(8) – on stage: fl, cl, perc, pno, vln(1), vc(1), cb(1)
Instrumentation details: 1st flute; 2nd flute (+picc); 1st oboe; 2nd oboe (+c.a); 1st clarinet in Bb; 2nd clarinet in Bb; 3rd clarinet in Bb (+bass cl); alto saxophone in Eb; tenor saxophone in Bb; 1st bassoon; 2nd bassoon; 1st horn in F; 2nd horn in F; 3rd horn in F; 1st trumpet in C; 2nd trumpet in C; 3rd trumpet in C; 1st trombone; 2nd trombone; 3rd trombone; bass tuba; percussion(3); marimba; vibraphone (+xyl); 1st piano; 2nd piano; electric organ; electric guitar; violin(12); viola(10); violoncello(10); contrabass(8) – on stage: flute; clarinet; percussion; piano; violin(1); violoncello(1); contrabass(1)
BIBLIOGRAFIA
- Beyond Opera, another kind of theatre: on the dramaturgy of A-Ronne
- De la mastication du temps dans le théâtre musical d’avant-garde: l’exemple de Opera (1970-77) de Luciano Berio
- Deux mises en scène d’une cosciente de la tradition. “Opera” di Berio (1969) et “Accanto” di Lachenmann (1976)
- E’ un’opera al plurale
- Epifaniler ve Açıklıklar. Proust, Joyce ve Brecht’ten Berio-Eco Poetikasına
- L’embarquement pour Santa Fe : la contribution de l’Open Theater à la création d’Opera
- Le théâtre musical de Luciano Berio (I). De Passaggio à La Vera Storia
- Luciano Berio’s Opera or a kind of «miroir de moi-même»
- Prinzipien des Musiktheaters bei Luciano Berio: Passaggio, Laborintus II, Opera
- Re-contextualizing Individual Pieces in Luciano Berio’s Opera