Coro
Choir: 10S, 10A, 10T, 10B
Instrumentation: 4 2 4 3 – 3 4 3 1 – perc(2), pno, e.org, alto sax, t.sax, 3 vln, 4 vla, 4 vc, 3 cb
Instrumentation details: 1st flute; 2nd flute; 3rd flute; 4th flute; oboe; cor anglais; clarinet in Eb; 1st clarinet in Bb; 2nd clarinet in Bb; bass clarinet in Bb; alto saxophone in Eb; tenor saxophone in Bb; 1st bassoon; 2nd bassoon; contrabassoon; 1st horn in F; 2nd horn in F; 3rd horn in F; 1st trumpet in C; 2nd trumpet in C; 3rd trumpet in C; 4th trumpet in C; 1st trombone; 2nd trombone; 3rd trombone; bass tuba (+t.tuba(Bb)); 1th percussion; 2nd percussion; piano; electric organ; 1st violin; 2nd violin; 3rd violin; 1st viola; 2nd viola; 3rd viola; 4th viola; 1st violoncello; 2nd violoncello; 3rd violoncello; 4th violoncello; 1st contrabass; 2nd contrabass; 3rd contrabass
DISCOGRAPHY
BIBLIOGRAPHY
- “Coro” de Berio et “Drummings” de Reich: deux compositions intégrant les polyrithmies africaines, comme experiénce de renoveau musical
- “Coro” di Luciano Berio
- “Venid a ver la sangre por las calles”–“kommt und seht das Blut auf den Straßen”:. Zur Neruda-Rezeption in Luciano Berios Coro und Allan Petterssons 12. Symphonie
- Di tanti ‘transiti’. Il dialogo interculturale nella musica di Luciano Berio
- Formal Plan and Constructive Principles of the Heterophonic Textures in Berio’s Coro
- Intimate rapport: Coro and Requies
- Luciano Berio – Coro
- Luciano Berio’s Coro: nexus between African music and political multitude
- Note a Coro
- Synthese und Transformation: Luciano Berios Coro
- Transkription und Intermodulation: Integrative kompositorische Verfahre bei Luciano Berio und Karlheinz Stockhausen