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Rhythm and timing in the two versions of Berio’s “Sequenza I” for flute solo : psychological and musical differences in performance

Berio’s Sequenzas : essays on performance, composition and analysis

… and so a chord consoles us : Berio’s “Sequenza XIII (chanson)”

“Sequenza IX” for Clarinet: Text, Pre-Text, Con-Text

Sonic complexity and harmonic syntax in “Sequenza IV” for piano

Berio’s “Sequenzas” : essays on performance, composition and analysis

Provoking acts : the theatre of Berio’s “Sequenzas”

Shadow boxing : “Sequenza X” for trumpet and piano resonance

The compass of communications in “Sequenza VIII” for violin

A polyphonic type of listening in and out of focus : Berio’s “Sequenza XI” for guitar

Vestiges of twelve-tone practice as compositional process in Berio’s “Sequenza I” for solo flute : Berio’s reworking of the “Sequenzas”

The “Chemins” series

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