{"id":13117,"date":"2024-01-27T17:08:37","date_gmt":"2024-01-27T16:08:37","guid":{"rendered":"https:\/\/www.lucianoberio.org\/?p=13117"},"modified":"2025-03-12T13:30:28","modified_gmt":"2025-03-12T12:30:28","slug":"suoni-e-occasioni-luciano-berios-musics-and-words","status":"publish","type":"post","link":"https:\/\/www.lucianoberio.org\/en\/suoni-e-occasioni-luciano-berios-musics-and-words\/","title":{"rendered":"\u201cSuoni e Occasioni\u201d: Luciano Berio’s musics (and words)"},"content":{"rendered":"\n

\u201cSuoni e Occasioni\u201d: Luciano Berio’s musics (and words)
May 28, h. 18:30 \u2013 Pieve Vecchia della Madonna<\/strong><\/p>\n\n\n\n

From Quattro canzoni popolari<\/em>\u00a0(1946-1947), for female voice and piano:
1.\u00a0Dolce cominciamento<\/em>\u00a0(lyrics: anonymous Sicilian)
2.\u00a0La donna ideale<\/em>\u00a0(lyics: unknown Genoese)<\/p>\n\n\n\n

Chanson<\/em>\u00a0(2000), for solo cello<\/p>\n\n\n\n

Lied<\/em>\u00a0(1983), for solo clarinet<\/p>\n\n\n\n

From Duetti<\/em>\u00a0(1979-1983), for two violins:
N. 6:\u00a0Bruno<\/em>\u00a0(Maderna)
N. 1:\u00a0B\u00e9la<\/em>\u00a0(Bart\u00f3k)
N. 28:\u00a0Igor<\/em>\u00a0(Stravinskij)<\/p>\n\n\n\n

(First reading)<\/p>\n\n\n\n

From\u00a0Six Encores<\/em>\u00a0(1965-1990), for solo piano:
N. 1:\u00a0Brin<\/em>
N. 2:\u00a0Leaf<\/em><\/p>\n\n\n\n

Air<\/em>\u00a0(1970), for soprano, piano, violin, viola e cello<\/p>\n\n\n\n

(Second reading)<\/p>\n\n\n\n

From Duetti<\/em>\u00a0(1979-1983), for two violins:
N. 3:\u00a0Yossi<\/em>\u00a0(Pecker)
N. 8:\u00a0Peppino<\/em>\u00a0(Di Giugno)
N. 27:\u00a0Alfredo<\/em>\u00a0(Fiorenzani)
N. 16:\u00a0Rivi<\/em>\u00a0(Pecker)<\/p>\n\n\n\n

Comma<\/em>\u00a0(1987), for E-flat clarinet solo<\/p>\n\n\n\n

From Six Encores<\/em>\u00a0(1965-90), for solo piano:
N. 3:\u00a0Wasserklavier<\/em>
N. 4:\u00a0Erdenklavier<\/em><\/p>\n\n\n\n

(Third reading)<\/p>\n\n\n\n

From\u00a0Duetti<\/em>\u00a0(1979-1983), for two violins
N. 24:\u00a0Aldo<\/em>\u00a0(Bennici)
N. 21:\u00a0Fiamma<\/em>\u00a0(Nicolodi)
N. 10:\u00a0Giorgio Federico<\/em>\u00a0(Ghedini)<\/p>\n\n\n\n

Berceuse<\/em>\u00a0(1998), for two instruments ad libitum
(performed on clarinet and cello)<\/p>\n\n\n\n

Les mots son all\u00e9s\u2026\u00a0<\/em>(1976), for cello solo<\/p>\n\n\n\n

From Quattro canzoni popolari\u00a0<\/em>(1946-47) for female voice and piano:
3.\u00a0Avendo grand disio<\/em>\u00a0(lyrics: Jacopo da Lentini)
4.\u00a0Ballo<\/em>\u00a0(lyrics: anonymous Sicilian)<\/p>\n\n\n\n

mdi ensemble<\/strong>:
Livia Rado\u00a0soprano<\/em>
Paolo Casiraghi\u00a0clarinet<\/em>
Lorenzo Derinni\u00a0violin<\/em>
Paolo Fumagalli\u00a0viola an violin<\/em>
Giorgio Casati\u00a0cello
Gabriele Carcano\u00a0piano<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cSuoni e Occasioni\u201d: Luciano Berio’s musics (and words)May 28, h. 18:30 \u2013 Pieve Vecchia della Madonna From Quattro canzoni popolari\u00a0(1946-1947), for female voice and piano:1.\u00a0Dolce cominciamento\u00a0(lyrics: anonymous Sicilian)2.\u00a0La donna ideale\u00a0(lyics: unknown Genoese) Chanson\u00a0(2000), for solo cello Lied\u00a0(1983), for solo clarinet From Duetti\u00a0(1979-1983), for two violins:N. 6:\u00a0Bruno\u00a0(Maderna)N. 1:\u00a0B\u00e9la\u00a0(Bart\u00f3k)N. 28:\u00a0Igor\u00a0(Stravinskij) (First reading) From\u00a0Six Encores\u00a0(1965-1990), for solo piano:N. […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3653],"tags":[],"class_list":["post-13117","post","type-post","status-publish","format-standard","hentry","category-news-en"],"acf":[],"yoast_head":"\n\u201cSuoni e Occasioni\u201d: Luciano Berio's musics (and words) - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lucianoberio.org\/en\/suoni-e-occasioni-luciano-berios-musics-and-words\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cSuoni e Occasioni\u201d: Luciano Berio's musics (and words) - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"\u201cSuoni e Occasioni\u201d: Luciano Berio’s musics (and words)May 28, h. 18:30 \u2013 Pieve Vecchia della Madonna From Quattro canzoni popolari\u00a0(1946-1947), for female voice and piano:1.\u00a0Dolce cominciamento\u00a0(lyrics: anonymous Sicilian)2.\u00a0La donna ideale\u00a0(lyics: unknown Genoese) Chanson\u00a0(2000), for solo cello Lied\u00a0(1983), for solo clarinet From Duetti\u00a0(1979-1983), for two violins:N. 6:\u00a0Bruno\u00a0(Maderna)N. 1:\u00a0B\u00e9la\u00a0(Bart\u00f3k)N. 28:\u00a0Igor\u00a0(Stravinskij) (First reading) From\u00a0Six Encores\u00a0(1965-1990), for solo piano:N. 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