{"id":9674,"date":"2024-10-16T12:36:39","date_gmt":"2024-10-16T10:36:39","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/nota-di-programma-op\/glosse-authors-note\/"},"modified":"2026-02-20T21:03:04","modified_gmt":"2026-02-20T20:03:04","slug":"glosse-authors-note","status":"publish","type":"nota-di-programma-op","link":"https:\/\/www.lucianoberio.org\/en\/program-note-work\/glosse-authors-note\/","title":{"rendered":"Glosse (author&#8217;s note)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><br>Glosse<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The birth of a musical work is a complex and mysterious matter \u2013 although often unintentionally so. It is perhaps for this reason that the composer is often reticent to describe the genesis of his works.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I had already been working sporadically for some time on a new string quartet (the fourth), when I was asked to contribute an obligatory finalists&#8217; piece to the Borciani Competition. Glad to render homage to the memory of Borciani and the Italian Quartet, I took the sketches, which I had been collecting and modifying here and there, and gathered them together in such a way as to avoid the impression of a homogeneous development or of continuous variation. I thus gave up the idea of a &#8220;fourth quartet&#8221; and in its place&nbsp;<em>Glosse<\/em>&nbsp;was born, made up of short commentaries on a virtual quartet or, more precisely, on a quartet which does not exist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A rather complex and mysterious matter&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Luciano Berio<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.lucianoberio.org\/en\/authors-note\/\">Note d&#8217;autore: informazioni generali | Author&#8217;s note: general info<\/a><\/p>\n","protected":false},"template":"","meta":{"_acf_changed":false},"class_list":["post-9674","nota-di-programma-op","type-nota-di-programma-op","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Glosse (author&#039;s note) - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lucianoberio.org\/en\/program-note-work\/glosse-authors-note\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Glosse (author&#039;s note) - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"Glosse The birth of a musical work is a complex and mysterious matter \u2013 although often unintentionally so. It is perhaps for this reason that the composer is often reticent to describe the genesis of his works. 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