{"id":9319,"date":"2024-10-22T12:09:49","date_gmt":"2024-10-22T10:09:49","guid":{"rendered":"https:\/\/dev.lucianoberio.org\/documento\/rassegna-stampa-selezione\/"},"modified":"2025-03-26T15:45:29","modified_gmt":"2025-03-26T14:45:29","slug":"rassegna-stampa-selezione","status":"publish","type":"documento","link":"https:\/\/www.lucianoberio.org\/en\/document\/rassegna-stampa-selezione\/","title":{"rendered":"Press (selection)*"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Las Palmas 2002<br><\/strong>&#8211; Enrico Girardi,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/enrico-girardi-turandot-conquista-il-pubblico-con-il-nuovo-finale-ideato-da-berio\/\"><em>\u00abTurandot\u00bb conquista il pubblico con il nuovo finale ideato da Berio<\/em><\/a>, \u00abCorriere della Sera\u00bb, 26 gennaio 2002, p. 34.<br>&#8211; Michelangelo Zurletti,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/michelangelo-zurletti-turandot-con-berio-un-finale-senza-strilli\/\"><em>Turandot, con Berio un finale senza strilli<\/em><\/a>, in \u00abLa Repubblica\u00bb, 29 gennaio 2002.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Amsterdam 2002<br><\/strong>&#8211; Roland de Beer,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/roland-de-beer-berios-turandot-zal-operawereld-splijten\/\"><em>Berio\u2019s Turandot zal operawereld splijten<\/em><\/a>, in \u00abDe Volkskrant\u00bb, 14 gennaio 2002.<br>&#8211; Enrico Girardi,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/enrico-girardi-chailly-esalta-la-nuova-turandot\/\"><em>Chailly esalta la nuova \u00abTurandot\u00bb<\/em><\/a>, in \u00abCorriere della Sera\u00bb, 03 giugno 2002.<br>&#8211; Michelangelo Zurletti,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/michelangelo-zurletti-la-turandot-piu-bella-che-si-possa-immaginare\/\"><em>La \u201cTurandot\u201d pi\u00f9 bella che si possa immaginare<\/em><\/a>, in \u00abLa Repubblica\u00bb, 04 giugno 2002.<br>&#8211; Andrew Clements,&nbsp;<a href=\"http:\/\/www.theguardian.com\/books\/2002\/jun\/08\/artsfeatures\"><em>Puccini&#8217;s Turandot and the new ending it deserves<\/em><\/a>, The Guardian, 8 June 2002.<br>&#8211; J\u00fcrgen Kesting,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/jurgen-kesting-silberne-trompete-im-hals\/\"><em>Silberne Trompete im Hals<\/em><\/a>, in \u00abFrankfurter Allgemeine Zeitung\u00bb, 30 giugno 2002.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Salisburgo 2002<br><\/strong>&#8211; Sangiorgio Satragni,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/sangiorgio-satragni-finali-rifatti-schizzi-e-frattaglie-con-berio-puccini-diventa-contemporaneo\/\"><em>Finali rifatti, schizzi e frattaglie. Con Berio Puccini diventa contemporaneo<\/em><\/a>, in \u00abLa Stampa\u00bb, 18 agosto 2002.<br>&#8211; Anthony Tommasini,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/anthony-tommasini-updating-turandot-berio-style\/\"><em>Updating \u2018Turandot\u2019, Berio Style<\/em><\/a>, in \u00abNew York Times\u00bb, 22 agosto 2002.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dallas 2003<br><\/strong>&#8211; Alan Rich,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/alan-rich-no-abandoned-orphan\/\"><em>No abandoned orphan<\/em><\/a>, in \u00abOpera News\u00bb, marzo 2003.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Genova 2004<br><\/strong>&#8211; Paolo Gallarati,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/paolo-gallarati-con-berio-diventa-piu-moderna\/\"><em>Con Berio diventa pi\u00f9 moderna<\/em><\/a>, in \u00abLa Stampa\u00bb, 14 novembre 2003.<br>&#8211; Rubens Tedeschi,&nbsp;<a href=\"https:\/\/www.lucianoberio.org\/rubens-tedeschi-berio-puccini-e-lavanguardia-storica\/\"><em>Berio, Puccini e l\u2019avanguardia storica<\/em><\/a>, in \u00abAmadeus\u00bb, febbraio 2004.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">*With the kind collaboration of Casa Ricordi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":true},"class_list":["post-9319","documento","type-documento","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Press (selection)* - Centro Studi Luciano Berio<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lucianoberio.org\/en\/document\/rassegna-stampa-selezione\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Press (selection)* - Centro Studi Luciano Berio\" \/>\n<meta property=\"og:description\" content=\"Las Palmas 2002&#8211; Enrico Girardi,&nbsp;\u00abTurandot\u00bb conquista il pubblico con il nuovo finale ideato da Berio, \u00abCorriere della Sera\u00bb, 26 gennaio 2002, p. 34.&#8211; Michelangelo Zurletti,&nbsp;Turandot, con Berio un finale senza strilli, in \u00abLa Repubblica\u00bb, 29 gennaio 2002. Amsterdam 2002&#8211; Roland de Beer,&nbsp;Berio\u2019s Turandot zal operawereld splijten, in \u00abDe Volkskrant\u00bb, 14 gennaio 2002.&#8211; Enrico Girardi,&nbsp;Chailly esalta [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.lucianoberio.org\/en\/document\/rassegna-stampa-selezione\/\" \/>\n<meta property=\"og:site_name\" content=\"Centro Studi Luciano Berio\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-26T14:45:29+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/document\\\/rassegna-stampa-selezione\\\/\",\"url\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/document\\\/rassegna-stampa-selezione\\\/\",\"name\":\"Press (selection)* - Centro Studi Luciano Berio\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/#website\"},\"datePublished\":\"2024-10-22T10:09:49+00:00\",\"dateModified\":\"2025-03-26T14:45:29+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/document\\\/rassegna-stampa-selezione\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/document\\\/rassegna-stampa-selezione\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/document\\\/rassegna-stampa-selezione\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/home\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Documenti\",\"item\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/document\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Press (selection)*\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/\",\"name\":\"Centro Studi Luciano Berio\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.lucianoberio.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Press (selection)* - Centro Studi Luciano Berio","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.lucianoberio.org\/en\/document\/rassegna-stampa-selezione\/","og_locale":"en_US","og_type":"article","og_title":"Press (selection)* - Centro Studi Luciano Berio","og_description":"Las Palmas 2002&#8211; Enrico Girardi,&nbsp;\u00abTurandot\u00bb conquista il pubblico con il nuovo finale ideato da Berio, \u00abCorriere della Sera\u00bb, 26 gennaio 2002, p. 34.&#8211; Michelangelo Zurletti,&nbsp;Turandot, con Berio un finale senza strilli, in \u00abLa Repubblica\u00bb, 29 gennaio 2002. 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