WORKS
Click on the white labels to sort out the results
Year |
Title | ||
|---|---|---|---|
| 1958 | Sequenza I | flute | |
| 1958 | Thema (Omaggio a Joyce) | electro-acoustic elaboration of Cathy Berberian's voice on tape | magnetic tape |
| 1958 | Omaggio a Joyce. Documenti sulla qualità onomatopeica del linguaggio poetico | magnetic tape | |
| 1959 | Allez-hop | Racconto mimico | mezzo-soprano, 8 actors, ballet and orchestra |
| 1959 | Différences | 5 instruments and tape | |
| 1959 | Tempi concertati | flute, violin, 2 pianos and other instruments | |
| 1960 | Circles | female voice, harp and 2 percussion players | |
| 1960 | Momenti | electronic sounds on tape | |
| 1961 | Visage | for electronic sounds and Cathy Berberian's voice on tape | electronics |
| 1961 | Epifanie | female voice and orchestra | |
| 1962 | Passaggio | Messa in scena di Luciano Berio e Edoardo Sanguineti | soprano (solo), choir and orchestra |
| 1963 | Sequenza II | harp | |
| 1963 | Esposizione | mezzo-soprano, 2 treble voices, group of mimes/dancers, 14 players and tape | |
| 1964 | Folk Songs | mezzo-soprano and 7 instruments | |
| 1964 | Folk Songs | mezzo-soprano and orchestra | |
| 1964 | Sincronie | string quartet | |
| 1964 | Traces | soprano, mezzo-soprano, 2 choirs of 24 voices, 2 actors and orchestra | |
| 1965 | Sequenza III | female voice | |
| 1965 | Chemins I | (su Sequenza II) | harp and orchestra |
| 1965 | Laborintus II | voices, instruments and tape | |
| 1965 | Rounds | harpsichord | |
| 1965 | Wasserklavier | piano | |
| 1965 | Wasserklavier | 2 pianos (original version) | |
| 1966 | Sequenza IV | piano | |
| 1966 | Sequenza V | trombone |