WORKS
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| Year |
Title |
||
|---|---|---|---|
| 1987 | Wir bauen eine Stadt | Hindemith – Berio | |
| 1965 | Wasserklavier | piano | |
| 1965 | Wasserklavier | 2 pianos (original version) | |
| 1995 | Vor, während, nach Zaide | commentary on an unfinished opera by W. A. Mozart | |
| 1984 | Voci | (Folk Songs II) | viola and 2 instrumental groups |
| 1961 | Visage | for electronic sounds and Cathy Berberian's voice on tape | electronics |
| 1954 | Variazioni | chamber orchestra | |
| 1956 | Variazione sull'aria di Papageno | No. 2 from "Divertimento für Mozart"* | 2 basset horns and strings |
| 1983 | Un re in ascolto | Azione musicale in 2 parti | soloists, actors, choir and orchestra |
| 1994 | Twice upon... | Theatre without words | 6 children's groups |
| 2001 | Turandot | By Giacomo Puccini (1924) - Completion of the 3rd act by Luciano Berio | choir, soloists and orchestra |
| 1964 | Traces | soprano, mezzo-soprano, 2 choirs of 24 voices, 2 actors and orchestra | |
| 1991 | Touch | piano (4 hands) | |
| 1994 | There is no tune | for chamber chorus | choir a cappella |
| 1958 | Thema (Omaggio a Joyce) | electro-acoustic elaboration of Cathy Berberian's voice on tape | magnetic tape |
| 1969 | The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred | Purcell – Berio | 6 instruments |
| 1985 | Terre chaleureuse | (Fragment) | wind quintet |
| 1959 | Tempi concertati | flute, violin, 2 pianos and other instruments | |
| 1972 | Surabaya Johnny | Weill – Berio | mezzo-soprano and ensemble |
| 1972 | Surabaya Johnny | Weill – Berio | alto and ensemble (transposed) |
| 1952 | Study | string quartet | |
| 2003 | Stanze | baritone, 3 male-voices choirs and orchestra | |
| 2001 | Sonata | piano | |
| 2000 | SOLO | trombone and orchestra | |
| 1990 | Six Encores | piano |
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