WORKS
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Year | Title | ||
---|---|---|---|
1966 | Il combattimento di Tancredi e Clorinda | Monteverdi – Berio | soprano, tenor, baritone, harpsichord and strings |
1966 | Gesti | treble recorder | |
1967 | Ballade von der sexuellen Hörigkeit - Song of Sexual Slavery | Weill – Berio | alto and ensemble |
1967 | Chemins II | (su Sequenza VI) | viola and 9 instruments |
1967 | Sequenza VI | viola | |
1967 | Rounds | piano | |
1967 | Beatles Songs | voice and instruments | |
1968 | Chemins III | (su Chemins II) | viola and orchestra |
1968 | O King | mezzo-soprano and 5 players | |
1968 | Sinfonia | 8 voices and orchestra | |
1968 | Questo vuol dire che... | 3 female voices, speaker, choir and tape | |
1969 | Air | from "Opera" | soprano and orchestra |
1969 | Sequenza VII | oboe | |
1969 | Erdenklavier | Pastorale for piano | piano |
1969 | Memory | 2 pianos | |
1969 | Memory | electric piano and electric harpsichord | |
1969 | The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred | Purcell – Berio | 6 instruments |
1969 | Sequenza VII | soprano saxophone | |
1970 | Air | from "Opera" | soprano and 4 instruments |
1970 | Chemins IIb | orchestra | |
1970 | Opera | soloists, actors, choir and orchestra | |
1971 | Agnus | 2 sopranos, 3 clarinets (and electric organ) | |
1971 | Autre fois | Berceuse canonique pour Igor Stravinsky | flute, clarinet and harp |
1971 | Bewegung | orchestra | |
1972 | Chemins IIc | bass clarinet and orchestra |