events

The year 2017 closed with three events dedicated to the relationship between Luciano Berio and Claudio Monteverdi, organized on the occasion of the 450th anniversary of the birth of the composer from Cremona. On November 23 and 24 the international study meeting Orphée Aujourd’hui.

From the end of May to October 2018 numerous events featuring Luciano Berio's music are scheduled. Here follow the most outstanding concerts (for a complete list, please visit our Concert calendar). 

Laborintus II is scheduled at the DR Koncerthuset of Copenhagen with Demian Vitanza as speaker, the vocal ensemble Theatre of Voices, the DR VokalEnsemblet and the DR SymfoniOrkestret conducted by Franck Ollu (May 31). The month of June starts with the performance of Rendering in Oranjewoud (Holland), with Benjamin Levy conducting the Noord Nederlands Orkest (June 1). Folk Songs are scheduled in three concerts between June and August: in Bochum, Germany, with Cristina Zavalloni and the Bochumer Symphoniker conducted by Enrico Onofri (June 2); in the frame of the Kuhmo Festival, Finland, featuring the mezzo-soprano Victoire Bunel and the musicians Alberto Mesirca, Christoffer Sundqvist, Harri Lehtinen, Janne Thomsen, Julian Arp, Lior Ouziel, Tuija-Maija Nurminen and Yuval Gotlibovich (July 23); at the Salzburg Festspiele, with mezzo-soprano Marianne Crebassa and the Wiener Philharmoniker conducted by Esa-Pekka Salonen (August 5).

Sinfonia will be performed in Seoul, with the Swingle Singers and the KBS Symphony Orchestra under the baton of Yoel Levi (July 20); in Milan – with Berio's Quattro versioni originali della Ritirata Notturna di Madrid di L. Boccherini – featuring the Swingle Singers and the Filarmonica della Scala conducted by John Axelrod (September 23); in Prague, with the London Voices and the Czech Philharmonic conducted by Semyon Bychkov (October 17, 18 and 19).

In the first months of 2018 numerous events with Luciano Berio's music are scheduled. Following is a list of the main events until April (for a complete list, see the Concert calendar).

From March 22 to 25 is scheduled the London Ear Festival, with performances of Sequenza I, Sequenza IV, Sequenza VI, Cries of London, Gesti, Sonata and Six Encores (for the complete program, click here).
Three important events will feature performances of Sinfonia: at the Elbphilharmonie, Hamburg, with the Neue Vocalsolisten Stuttgart and the Philharmonisches Staatsorchester Hamburg conducted by Alejo Pérez (March 18 and 19); in Munich, with London Voices and Münchner Philharmoniker conducted by Semyon Bychkov (April 21 and 22); in the frame of the Klangbrücken Festival, Hannover, with The Swingle Singers and the Niedersächsisches Staatsorchester Hannover conducted by Stefan Blunier; the same concert will feature also performances of Festum and Fanfara (April 23 and 24).

The concerts featuring Luciano Berio’s music continue during the year 2017. Here follows a selection of the most outstanding events (for a complete list, see the Concert calendar).

Coro is on tour between March and May under the direction of Teodor Currentzis, featuring the Mahler Chamber Orchestra and the MusicAeterna choir, with performances scheduled in Ferrara (March 30), Munich (April 1st), Cologne (April 2), Hamburg (May 29) and Saint-Denis (May 30).
On May 18 in Bologna is scheduled a round table entitled "C’è musica & musica di Luciano Berio (1972): attualità di una serie televisiva tra divulgazione e sperimentazione”, conducted by Angela Ida De Benedictis.
Beatles Songs and Chemins II are scheduled at the Auditorium Parco della Musica, Rom, performed by the Ensemble Modern, featuring Anna Clementi and Megumi Kasakawa, conducted by Tito Ceccherini (May 22). Rendering is scheduled in several concerts in Görlitz, with Andrea Sanguineti conducting the Neue Lausitzer Philharmonie in a performance, which features also choreographies by Dan Pelleg and Marko E. Weight (June 24 and July 7, 8, 9).

Luciano Berio's outline for Coro (Paul Sacher Stiftung, Collection Luciano Berio)

October 24 marked the 91st anniversary of Luciano Berio’s birth. This year the date coincided with another important anniversary: the world première of Coro, one of the cornerstones of Berio’s oeuvre, which was performed for the first time forty years ago, on the 24th of October 1976 in Donaueschingen with the composer himself conducting the WDR Rundfunkchor and Rundfunkorchester Köln (for more information on the work click here).
We wish to celebrate this double "birthday" with a selection of documents that confirm the importance of Coro for Berio’s poetics: «The work deals with the problem perhaps more deeply rooted in me: put together, give an order to seemingly disparate things», highlighting the idea of Coro as an encounter of different cultures and periods, as a dialogue between different techniques and styles that merge without ever losing their individuality.
The homage includes the full audio track of Coro as well as excerpts from Luciano Berio’s writings and interviews; manuscript pages; and a letter from the composer to his future wife and dedicatee of the composition - Talia Pecker Berio - written during the rehearsals of the première.

The concerts featuring Luciano Berio’s music continue during the end of 2016. Here follows a selection of the most outstanding events (for a complete list, see the Concert calendar).

Récit (Chemins VII) is scheduled in Cologne (October 28) and Essen (October 30) featuring the WDR Sinfonieorchester Köln and saxophonist Lutz Koppetsch conducted by Brad Lubman. Another concert with the WDR Sinfonieorchester Köln, with Christophe Desjardins and conducted by Emilio Pomàrico, is the performance of Chemins II in Cologne (November 5). The Neue Vocalsolisten Stuttgart will perform A-Ronne at the Essen Philharmonie (November 5). Naturale is scheduled in Kalgenfurt with violist Ernst Theuerkauf and percussionist Gerhard Gruber (November 19), and in Budapest, with Tabea Zimmermann and Aurél Holló (November 20). In Buenos Aires, the Teatro San Martín ensemble of contemporary music, featuring Coro Diapasón Sur and the speaker Rafael Spregelburd, conducted by Santiago Santero, will perform Laborintus II; the same evening, Pablo Fenoglio will perform Sequenza V for trumpet (November 20). In Paris, the Orchestre du Conservatoire National Supérieur de Paris with pianist Théo Fouchennere, conducted by Jean-Philippe Wurtz, will perform points on the curves to find for piano and 22 instruments (November 30).

The concerts featuring Luciano Berio’s music continue during the Spring 2016. Here follows a selection of the most outstanding events from March to June (for a complete list, see the Concert calendar).
On March 13 Sinfonia is performed by Synergy Vocals and London Symphony Orchestra conducted by François-Xavier Roth (Barbican Hall, London). On March 18 the Latvian Radio Choir will perform A-Ronne (Music House “Daile”, Riga). On March 20 and 22 two concerts are scheduled in London with the Nash Ensemble: on 20th, the Sequenzas I, II, IV and VII will be performed at the Italian Cultural Institute; on 22th the concert will take place at the Wigmore Hall, featuring Sequenza VIII and Naturale. On April 15 Simon Krečič will conduct the Slovenian Philharmonic Orchestra in Rendering (Philharmonic, Marjan Kozina Hall, Ljubljana).

Umberto Eco and Luciano Berio

Umberto Eco has left us. Under media spotlights by now dimmed, the Centro Studi Luciano Berio wishes to remember this great protagonist of international culture by recalling the principal stages of the long personal and professional journey that tied him to Luciano Berio.
The friendship between Umberto Eco and Luciano Berio began at the outset of the 1950s, when both worked for the Milanese headquarters of RAI on the Corso Sempione. The years immediately preceding and succeeding the foundation of the Studio di Fonologia were, on the creative and personal levels, significant for both: indeed it was to Berio, and to the research conducted in those years in the environment of the Milanese electronic studio, that Eco owed his acquaintance with the Cours de linguistique générale by Saussure and with Principes de phonologie by Troubetzkoy, volumes «borrowed from the Studio di Fonologia, and which naturally I [Eco] have never returned through right of conquest.» It was again in the milieu of the electronic studio that ever new commonalities of life and work were established, ones that extended also to Roberto Leydi and Cathy Berberian.