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To listen to the podcast of Radio 3 Suite, aired on May 27, 2013, click here.

May 27 marked the tenth anniversary of Luciano Berio’s passing. The anniversary is being celebrated throughout 2013 with numerous events and concerts featuring his music worldwide. Our Centro Studi chose to pay homage to Berio the man and the artist by creating a new section in the website, Per Luciano, containing a wealth of testimonials, unpublished documents and images which friends, colleagues and long-standing collaborators have been kind enough to contribute to commemorate this anniversary.

Started in 2010 as a collaboration between the centre DMCE (Université Paris 8), Centro Studi Luciano Berio and Fondazione Cini, the project Luciano Berio's musical theatre reached its final stage at the end of September 2013. The last two study days took place in Venice on 28 and 29 September. On the 24th of October a doctorate seminar Poetica implicita vs poetica esplicita: gli scritti di Luciano Berio took place in Siena with the participation of Fiamma Nicolodi, Antonio Prete, Veniero Rizzardi, Talia Pecker Berio, Mila De Santis and Angela Ida De Benedictis. The seminar was organized in the frame of “Pegaso”, a project of inter-regional PhD in History of Art and the Performing Arts (Universities of Florence, Pisa and Siena), in collaboration with Centro Studi Luciano Berio and with the contribution of the Department of Historical Sciences and Cultural Heritage at the University of Siena. For more information, see the attached program.

The Biennale di Venezia pays homage to Berio with two monographic concerts (October 5 and 11); on October 5 Roberto Abbado conducts the Orchestra del Teatro Comunale di Bologna in Rendering and Epiphanies, with the soprano Valentina Coladonato (the concert will be broadcasted live on RAI Radio 3); on October 8, Christophe Desjardins performs Sequenza VI for solo viola; on October 11 is scheduled the performance of Ofaním with the musicians of the Orchestra della Toscana, the voices of the Maitrise de Radio France and the Israelian singer Esti Kenan Ofri directed by Danilo Grassi, and Altra voce with Monica Bacelli and Michele Marasco. The live electronics of both works is realized by Tempo Reale which, on 12 ottobre presents a monographic concert in Florence with Altra voce, Linea, Momenti and Thema (Omaggio a Joyce).
On 17 ottobre is scheduled in Florence a concert with Ofaním, featuring the same performers in Venice, this time directed by Marco Angius, and Rendering, in the preview evening of the Play-it! Festival.
On October 30 Daniele Rustioni conducts the Orchestra della Toscana in Otto Romanze by Verdi-Berio, with the tenor Antonio Corianò.
O King and Naturale will be performed in Berlin on September 30 and October 12.

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On the 24th of October a doctorate seminar Poetica implicita vs poetica esplicita: gli scritti di Luciano Berio took place in Siena with the participation of Fiamma Nicolodi, Antonio Prete, Veniero Rizzardi, Talia Pecker Berio, Mila De Santis and Angela Ida De Benedictis. The seminar was organized in the frame of “Pegaso”, a project of inter-regional PhD in History of Art and the Performing Arts (Universities of Florence, Pisa and Siena), in collaboration with Centro Studi Luciano Berio and with the contribution of the Department of Historical Sciences and Cultural Heritage at the University of Siena. For more information on the program, click here.

Following the tribute to Cathy Berberian on the thirtieth anniversary of her death, the Centro Studi Luciano Berio wishes to honour another major figure in the world of 20th century music, the ethnomusicologist Roberto Leydi, who died ten years ago. Hailed by Berio as his "initiator" in the universe of folk music, the friendship and collaboration with Leydi were fundamental for the composer, above all in the years of fervour and intense research in post-war Milan, which also saw the participation of a third artistic and companion and close friend, Bruno Maderna (to whom our Centre will soon pay due tribute). When called on to recall his ethnomusicologist friend following his decease, Berio wrote: «I have always known Roberto Leydi, even before I actually met him during the fifties, when we were working with Jacques Lecoq on Mimusique. Tre modi per sopportare la vita, or again with Bruno Maderna on Ritratto di città in the fledgling Studio di Fonologia della RAI in Milan. I have always known him because a part of me - I’m not sure which - seems to have been born and to have grown up with him ». Among the collaborations involving Berio and Leydi we should also mention Questo vuol dire che..., composed in 1968-69 for the Premio Italia using creative and performative modalities which at the time were truly new.

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Umberto Eco, Roberto Leydi and Luciano Berio. Bologna, 1995 (photo by Nicola Scaldaferri, by courtesy).

On 6 March 2013 it will be 30 years since the death of Cathy Berberian, Luciano Berio’s first wife and unique artistic partner. Her remarkably versatile voice inspired the creation of a number of Berio’s works including Thema (Omaggio a Joyce), Circles, Sequenza III, Folk Songs, Recital for Cathy and others in which creative research and performing verve are indelibly combined.

To commemorate this extraordinary woman and performer we have put on our website a previously unpublished photograph of her, generously made available by Cristina Berio, and an interview entitled Mi piace provocare il pubblico which featured in March 1972 in the magazine «Radiocorriere» catering for viewers of RAI television. The article presented the programme «Mille e una voce», the fifth installment in the television series C'è musica e musica, produced in 1972 by Luciano Berio. This whole installment was dedicated to Cathy Berberian and her matchless gifts as an interpreter, illustrated by Berio himself in a program which stands as a genuine "journey inside the human voice".